I have selected three readings that will be discussed in two weeks (not this Friday but the next 5/3).
Daughter by Tananarive Due (2000)
A Birthday by Esther M. Friesner (1996)
That Only a Mother by Judith Merril (1948)
What is motherhood? How do we define it? How does it define us? Think about the nature of motherhood and how it relates to feminism and science fiction.
I do not have anymore sever space to upload pdfs online. If you can help me post these stories here, please let me know. Also please notify me if you would like to receive a copy of these stories. I can add you to the class e-mail list if I hadn't added you already. E-mail me at: abruser@uno.edu
See you in two weeks,
Ally
Monday, April 22, 2013
Monday, April 15, 2013
check it:
Sophia Stewart, The Real Creator of ‘The Matrix,’ Wins Billion Dollar Copyright Case
http://www.africanglobe.net/headlines/sophia-stewart-real-creator-matrix-wins-billion-dollar-case/
AFRICANGLOBE – This little known story has met a just conclusion, as Sophia Stewart, African American author of The Matrix will finally receive her just due from the copyright infringement of her original work!!!
A six-year dispute has ended involving Sophia Stewart, the Wachowski Brothers, Joel Silver and Warner Brothers. Stewart’s allegations, involving copyright infringement and racketeering, were received and acknowledged by the Central District of California, Judge Margaret Morrow presiding.
Stewart, a New Yorker who has resided in Salt Lake City for the past five years, will recover damages from the films, The Matrix I, II and III, as well as The Terminator and its sequels. She will soon receive one of the biggest payoffs in the history of Hollywood , as the gross receipts of both films and their sequels total over 2.5 billion dollars.
Stewart filed her case in 1999, after viewing the Matrix, which she felt had been based on her manuscript, ‘The Third Eye,’ copyrighted in 1981. In the mid-eighties Stewart had submitted her manuscript to an ad placed by the Wachowski Brothers, requesting new sci-fi works..
According to court documentation, an FBI investigation discovered that more than thirty minutes had been edited from the original film, in an attempt to avoid penalties for copyright infringement.
The investigation also stated that ‘credible witnesses employed at Warner Brothers came forward, claiming that the executives and lawyers had full knowledge that the work in question did not belong to the Wachowski Brothers.’ These witnesses claimed to have seen Stewart’s original work and that it had been ‘often used during preparation of the motion pictures.’ The defendants tried, on several occasions, to have Stewart’s case dismissed, without success.
Stewart has confronted skepticism on all sides, much of which comes from Matrix fans, who are strangely loyal to the Wachowski Brothers. One on-line forum, entitled Matrix Explained has an entire section devoted to Stewart. Some who have researched her history and writings are open to her story.
Others are suspicious and mocking. ‘It doesn’t bother me,’ said Stewart in a phone interview last week, ‘I always knew what was true.’
Some fans, are unaware of the case or they question its legitimacy, due to the fact that it has received little to no media coverage. Though the case was not made public until October of 2003, Stewart has her own explanation, as quoted at aghettotymz.com:
‘The reason you have not seen any of this in the media is because Warner Brothers parent company is AOL-Time Warner…. this GIANT owns 95 percent of the media… let me give you a clue as to what they own in the media business… New York Times papers/magazines, LA Times papers/magazines, People Magazine, CNN news, Extra, Celebrity Justice, Entertainment Tonight, HBO, New Line Cinema, DreamWorks, Newsweek, Village Roadshow and many, many more! They are not going to report on themselves. They have been suppressing my case for years.’
Fans who have taken Stewart’s allegations seriously, have found eerie mythological parallels, which seem significant in a case that revolves around the highly metaphorical and symbolic Matrix series. Sophia, the Greek goddess of wisdom has been referenced many times in speculation about Stewart. In one book about the Goddess Sophia, it reads, ‘The black goddess is the mistress of web creation spun in her divine matrix.’
Although there have been outside implications as to racial injustice (Stewart is African American), she does not feel that this is the case. ‘This is all about the Benjamins,’ said Stewart. ‘It’s not about money with me. It’s about justice.’
Stewart’s future plans involve a record label, entitled Popsilk Records, and a motion picture production company, All Eyez On Me, in reference to God. ‘I wrote The Third Eye to wake people up, to remind them why God put them here. There’s more to life than money,’ said Stewart. ‘My whole to the world is about God and good and about choice, about spirituality over ‘technocracy’.’
If Stewart represents spirituality, then she truly has prevailed over the ‘technocracy’ represented in both the Terminator and the Matrix, and now, ironically, by their supposed creators.
Stewart is currently having discussions with CBS about a possible exclusive story and has several media engagements in the near future to nationally publicize her victory.
June 13th 2004. Sophia Stewart’s press release read: ‘The Matrix & Terminator movie franchises have made world history and have ultimately changed the way people view movies and how Hollywood does business, yet the real truth about the creator and creation of these films continue to elude the masses because the hidden secret of the matter is that these films were created and written by a Black woman…a Black woman named Sophia Stewart. But Hollywood does not want you to know this fact simply because it would change history. Also it would encourage our Black children to realize a dream and that is…nothing is impossible for them to achieve!
SCIFI CLASS 11: "Immaculate" by Storm Constantine
For next week's class (Friday 4/19) we will be discussing Immaculate (1991) by Storm Constantine.
"Women are not ashamed of feelings or emotions. It’s a reflection of the way our society operates. To men it’s seen as weakness to show emotion, or to feel emotionally vulnerable. So they feel uncomfortable exploring that part of their sexuality. This sounds terribly patronizing, and I know it’s generalizing too. I’m sure there are many men who don’t feel that way. But in general – it’s true! And as a writer you have to get into your characters in order to write about them. That includes the weakness that you’d experience there. That weakness is something male writers feel uncomfortable with when they’re exploring that kind of situation..."
--Storm Constantine
"Women are not ashamed of feelings or emotions. It’s a reflection of the way our society operates. To men it’s seen as weakness to show emotion, or to feel emotionally vulnerable. So they feel uncomfortable exploring that part of their sexuality. This sounds terribly patronizing, and I know it’s generalizing too. I’m sure there are many men who don’t feel that way. But in general – it’s true! And as a writer you have to get into your characters in order to write about them. That includes the weakness that you’d experience there. That weakness is something male writers feel uncomfortable with when they’re exploring that kind of situation..."
--Storm Constantine
bioimmaculate |
Sunday, April 7, 2013
SCIFI CLASS 10: Octavia Butler's "Bloodchild" (1995)
Last week we discussed "The Glass Bottle Trick" by Nalo Hopkinson. Some themes we pulled from the text included: the physical body, the metaphysical body, the projected/perceived body, gender issues, race issues, the physics of pressure and volume, and the roles of superstition and magic in interpersonal situations.
Staying with these themes, we will discuss "Bloodchild" by Octavia Butler (1995) for next week's class (Friday at 6pm at Sycamore). This novelette won both the Hugo and Nebula Awards. It has received acclaim from a widespread audience ranging from literary critics, scifi fans, feminists, and writers.
Staying with these themes, we will discuss "Bloodchild" by Octavia Butler (1995) for next week's class (Friday at 6pm at Sycamore). This novelette won both the Hugo and Nebula Awards. It has received acclaim from a widespread audience ranging from literary critics, scifi fans, feminists, and writers.
"The things that
make “Bloodchild,” not to mention her [Octavia Butler's] other works, important are the unique
views, situations, and experiences it creates for the reader. This novelette
challenges every reader to reconsider some of the most basic assumptions about
human life, from gender, race, and species identity to the value of freedom and
the meaning of life. It is this ability to make readers reconsider everything
that makes Butler and “Bloodchild” significant." -- M Brauer
This quote may guide you in critical reading. I would recommend reading this story slowly, give yourself time let it sink in, think it over, and analyze what you think Butler is trying to communicate. Maybe her message isn't obvious or clear but it's well worth the extra time and attention.
Octavia E. Butler |
Wednesday, April 3, 2013
SCIFI CLASS 9: Glass Bottle Trick by Nalo Hopkinson
We have been in and out of this world. Now we are making our way back home. Let's re-center ourselves.
This week we will be discussing Glass Bottle Trick (2000) by Nalo Hopkinson.
Nalo Hopkinson "was born in Jamaica and grew up in Jamaica, Guyana, Trinidad, and Canada, where she lived since age sixteen...Hopkinson has gained universal acclaim as one of the most impressively original authors to emerge in years...Now she presents Skin Folk, a richly vibrant collection of short fiction that ranges from Trinidad to Toronto from fantastic folklore to frightening futures, from houses of deadly humans to realms of dark sexuality. Powerful and sensual, disturbing and triumphant, these tales explore the surface of modern existence...and delve under the skin of eternal legends".
-- From Skin Folk (2001)
The Glass Bottle Trick is a short story in the collection Skin Folk. The story confronts issues of race, class, gender, reproductive issues, superstition, and magic.
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